In a sequence of performances entitled Pierrick et Jean Loup (1994), Pierrick Sorin documented fictional confrontations between himself and his invented twin brother (alter ego) Jean Loup. These domestic scenarios often develop into extremely violent actions that only avoid being distasteful by virtue of their Loony Toons absurdity. Sorin’s performances as a clown are very funny – his on-camera persona is somewhere between Mr Bean and Marcel Marceau. In spite of this comic aspect the characterisations of the two brothers would lend themselves well to clinical analysis.